Huge thanks to the show organizers, Mike Bovaird, Bart Andeer, and the team for a fantastic experience. Grateful for the support from the press and fellow show attendees for the positive feedback that continues to flood in. Big thanks to Angela Cardas from Cardas Audio for the collaboration in the room and for the “Clear” cables and accessories that connect the sum of parts, completing the assemblage of synergistic components to make magic for our Midrange Magic+ presentation in Florida.
One might ask, what is Midrange Magic+?
Truthfully, it is difficult to put in words what you must experience yourself.
We felt it, heard it, felt we could see it, taste it, and could almost touch it.
We want to share it, which is why we built this series to go on the road with different curated music for each show to highlight local audience flair.
In short, Midrange Magic+ is the new frontier, where technology is at the service of music, where performers communicate directly with the listeners with an ethereal experience of musical enjoyment as if they were right there when the music was made, be it half a century ago in a faraway land, or yesterday in the Royal Opera House in Covent Garden in London. The perfect synergy in curating the components in a system that squeezes the last drop of Midrange Magic would disappear, leaving nothing other than the music’s purity and clarity. This can only happen when the midrange is supported by a strong foundation.
This happens when a curated system is hand-picked from manufacturers that dedicate their technology to create an uncanny realism that could lift our souls to the heavens with happiness, or strum the stygian depths of our despair. Where the system is optimized to deliver goosebumps and tug on all the heart strings.
Midrange Magic+ has to be experienced and savored, up close and personal to be appreciated.
The first great audio system I ever heard consisted of a pair of venerable Spendor SP1 speakers, Heybrook TT2 turntable, and Audio Research electronics. The sound that humble system gifted changed how I saw (and see) audio and floored me with its sheer musicality and charm. Philip’s elegantly minimal setup conveyed that same magic, taking me full circle in my audio journey. (Here for more …)
Everything O’Hanlon played sounded of a piece, with incredible coherence, superb focus, and scintillating naturalness. Composer/producer/bass guitar wunderkind Marcus Miller’s Siesta soundtrack sounded positively otherworldly, with ambience, air, and electric tension thick enough to cut. A BOS contender, and proof positive that vinyl replay still holds the edge over digital in its ability to engage and delight the inner music lover. (Here for more …)
FLAX 2022 Show Coverage, by Chuck Bruce: Graham audio was showcasing their UK-built, 1960s/1970s cabinet style stand-mounted LS8/1, three-way box speakers. Visually they may have a retro wood cabinet appearance, but don’t be fooled, the sound was very modern, dynamic, harmonically rich, natural with engaging female vocals, some of the best heard at the show. Completely updated with all new components and sourced by solid-state moon river electronics. Also demonstrated was a Bergmann Modi air-bearing turntable to excellent effect. This set-up attracted multiple visits all while co-hosted by the ever-engaging audio veteran Philip O’Hanlon of Irish spirits fame, we had some tasty sips after hours and just a great time listening to music! After all, this is what’s it’s all about… the music! (Here for more …)
Artesania Audio “Aire” amp stand $4,000 and KRION turntable platform $4,300
Bergmann Audio “Modi” air bearing turntable & “Modi” Air-bearing, linear tracking tonearm $17,000
Hana ML cartridge $1,200
Graham Audio – LS8/1 speakers $9,700 Inc. stands. (Spikes resting on Artesania 30mm Decoupling Discs @ $60 each.)
MoonRiver 404 Reference, integrated amplifier $4,999 and optional internal phono MM/MC phono-stage $550.
Cardas “Clear” cables, interconnects & power cords.
We had a little issue with our show banners shipment.
The TV screen in the middle of loudspeakers has been the bain of our existence from a sound standpoint. Back home, when we do any active listening in our 2nd listening room which also doubles as our TV room, Pandora would always put a thick blanket on the TV. We had arranged for seven fabric banners shipped over and we were supposed to hang them from the ceiling before the show began. The center banner was missing the whole time and the six smaller ones showed up a day late.
So, day one, a bedsheet became our center banner with nothing else in the room other than a Cardas sign. For a laugh, here’s what our room presentation looked like at the show. Pardon the movers glider set under the Artesania decoupling discs as that’s what we use to position the speakers for ease of movement.
For the rest of the show, we had to use two smaller banners to cover the bedsheet to fain a center banner. The press was very kind and didn’t print that.
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