CES 2016 Show Report
January 6, 2016 – January 9, 2016 at the Mirage Hotel Penthouse Suite #E17
While attendance was light on Wednesday, the first day of CES, the room was beautiful, the equipment was well presented and the sound quality was glorious. We had a great time meeting up with old friends and sharing our most ambitious compilation to date—Philip’s Demo XVIII.
I must confess I never paid any attention to dampening plates positioned on top of equipment before. But when Tatsu Sueyoshi from Luxman started to rearrange the position of the Artesania dampening plates on top of his Luxman equipment, we were amazed at how he was able to tune the system by simply drawing away mechanical resonances. The system became much more natural and the sound more focused.
The end of the first day delivered a real treat. Stereophile’s Jason Serinus and I were discussing the equipment list for his Show Report and Lori Lieberman was behind us and started rehearsing for Thursday’s unplugged performance. Unconsciously, we stopped talking and just listened to Lori’s wonderful singing and guitar accompaniment. Her voice was soft, natural, and delivered such emotion—we were mesmerized. Read more about Lori Lieberman’s performance here.
Lori Lieberman wasn’t the only celebrity guest that popped in to put our system to the test. We were also honored to have Graham Nash stop in to have us play a few tracks off his upcoming album. And the verdict is in. See what Graham Nash thought of our system.
Having listened to the B1 Decade at Music Lovers two Reference Rooms, Berkeley’s is approx. 500+ sq. ft. while the SF store’s room is approx. 300+ sq. ft. It sounded much more intimate in the smaller room. Knowing the generous room dimensions of the Mirage’s penthouse suite, we took a precaution and called Arian Jansen from SonoruS to ask if we could borrow his proximity subwoofer controller for CES. Arian did a marvelous job of dialing in the Eclipse TD-520SW subwoofer into the system. The proximity sub does not extend the LF—rather it augments the bass, so that what you hear at the listening chair is similar to what you would hear if you were sitting just 5’ from the speakers.
On the last day of CES, David Chesky came in for a listen to his own recordings on the system. He asked if we could move the couch closer and turn off the sub. We moved the listening chair 4’ forward and 8’ from the speakers. The results were spectacular. But of course, now only one or two people could really enjoy what the speakers were capable of. Near-field listening can be very exciting; the immediacy is intoxicating. It sounds as if the performer is singing right in front of you. Check out the Eclipse TD speakers for a terrific inexpressive near-field experience.
We first showed the Artesania racks at RMAF 2015, but this year at CES, with the help of Cayetano Castellano from Artesania we spent the first day installing racks far and wide across Vegas. These are the quietest racks we have ever used. Really do add a wonderful sense of ease to the sound, as well as lowering the noise floor. Jae Wheeler from Music Lovers mentioned that he never heard the Revel Salon’s deliver such deep & tight bass before. Exhibitors using the Artesania racks included: Constellation, Harmon Group (Mark Levinson & Revel) Lumen, Metronome, Synergist Research, Viola & ourselves. Clips I saw looked stunning, high production values and very tastefully executed. No jerky, hand held amateur hour footage— rather super stable, excellently light and first class all the way, just like their products. We will post that video shortly.
A huge round of thanks have to be extended to Joe Cali for organizing the Lori Lieberman concerts as well as recording them. It really was an ear opening experience.
Thanks to Jon Iverson for organizing the visit from Graham Nash; it was a pleasure meeting him. Very nice down to earth chap, no silly attitudes nor BS. The new album sounded great—it’s on my must purchase list.
Luxman L-550Ax wins SoundStage! Hi-Fi Integrated Amplifier of the Year for 2015
SoundStage! announced the winners of their 2015 Products of the Year Awards. Among them was Luxman’s L-550AX integrated amplifier. The awards were given out at CES, as usual. In the picture to the left, you can see a very excited and proud Tatsya Sueyoshi accepting the award for Outstanding Performance in Integrated Amplifier category. It’s a fine amplifier—we are very pleased to see it getting the recognition it deserves. Read more at SoundStage! Hi-Fi.
CES Photo Gallery
“The sound, of course, was the most impressive. Thanks as well to Luxman’s M-900U stereo amp ($20,000), EQ-500 tubed phono stage ($7500), C-900U line stage ($20,000), PD-171AL turntable I custom finish ($7000), D-08U SACD player ($18,000), and due-in-March L-590 AX Mk.II class-A integrated amplifier ($10,000). Aaron Neville’s rendition of “Stardust” sounded just wonderful. Rickie Lee Jones with Rob Wasserman sounded equally good. In both cases, mid-range beauty predominated, to satisfying effect.”
“Merging has been long respected in the pro recording industry…have also been instrumental with DSD recording technology, so not surprising when I saw the new NADAC in Philip O’Hanlon’s On a Higher Note suite at the very top of the Mirage hotel, Philip being a big DSD proponent himself…The stereo version goes for $10,500 and the multi-channel version is $11,500. O’Hanlon conducted another of his legendary demos and the sound was clear and focused.”
“Jon Iverson has posted his first room report over on Stereophile retelling his CES travels with Graham Nash. Philip O’Hanlon’s On A Higher Note was their first stop and I was lucky enough to have been invited along…I’ll let Jon handle the heavy story telling, but I did note that after Philip played the title track “This Path Tonight”, Graham said, “Fuck, that sounds great!”…In my experience, Philip O’Hanlon always gets great sound at shows and CES 2016 was certainly no exception.”
The Absolute Sound
“Another noteworthy room in the Mirage was On a Higher Note, where in addition to a hi-fi system including a host of Luxman electronics and superb Vivid loudspeakers, Philip O’Hanlon presented a mini-concert and recording-and-playback comparison session with solo singer Lori Lieberman who accompanied herself on acoustic guitar… The results between her live performance vs. what we heard on the digital playback vs. what we heard on her classic LP were striking to say the least.”
Enjoy the Music
- Vivid B1 Decade NEW
- Merging+NADAC MC-8 DAC
- Luxman PD-171AL SME “M2-9R” Tonearm & Soundsmith Hyperion cartridge
- Luxman PD-171AL Schroeder “Alto” Tonearm & Soundsmith Hyperion cartridge
- Luxman EQ-500 phono stage
- Luxman C-900u control amplifier
- Luxman M-900u stereo amplifier
- Luxman D-08u CD / SACD player
- SonoruS ATR10 reel to reel (Tape Project)
- SonoruS proximity subwoofer controller
- Eclipse TD520SW subwoofer
- D-05u CD/SACD Player NEW
- Luxman L-550AX stereo integrated amplifier with AWARD
- Luxman L-590AX II stereo integrated amplifier
Office System – ACTIVE
- Eclipse TD510ZMK2 speakers
- Luxman DA-250 Preamp / DAC NEW
- Luxman DA-06 DAC
- Luxman M-200 stereo amplifier
Rooms Displaying Artesania Audio Racks
Artesania Audio equipment racks were displayed in many rooms at this year’s CES by the following manufacturers. We are honored to have been chosen by Artesania to be the North American distributor of their exquisite equipment racks.
- Harman – Hard Rock Hotel in the Muse Ballroom
- Synergistic Research
- Lumin Music – Venetian Hotel 30-210
- Metronome – Venetian Hotel 29-123
- Eclipse – Venetian Hotel 29-215