Showing 1–16 of 34 results

Showing 16 posts of 34 posts found.

Graham Audio, VOTU-MIRAMA, the new Mid Range Magic Model from their Voice of the Universe family

Graham Audio’s VOTU loudspeaker system has its lineage from the original SYSTEM3D, “effect fill” loudspeakers, initially designed at the request of the Royal Opera House in London for one of its theaters.  Instead of a Public Address system, the SYSTEM3D was a passive design, as the Opera House wanted a system akin to domestic loudspeakers, only large enough to reach a whole opera-going audience. VOTU MIRAMA is Graham Audio’s latest and proudest release in the VOTU family.  Now, for the first time, with VOTU MIRAMA, North American music connoisseurs can finally experience the Royal Opera House in the comfort of their homes.  Built on the design of the original VOTU, the VOTU MIRAMA has a higher power handling and a more extended low-frequency range down to 25Hz. The design is in two cabinets: – The lower cabinet is floor-standing and contains a front-ported 10 cubic feet reflex enclosure along with a high power 18″ subwoofer working from 25Hz to 150Hz and employing a vented motor, anodized aluminum cone and shorting ring to reduce distortion.  It is flanked above by a pair of 10″ lower midrange woofers handling 150Hz to 1kHz frequencies. – The upper cabinet is a sealed-box design, housing a 7″ upper midrange woofer driving 1kHz to 5kHz, and a ribbon tweeter for frequencies up to 20kHz.  This cabinet is fitted onto the bass cabinet with acoustic decoupling feet to provide accurate positioning. This 4-way loudspeaker system is positioned for critical listening replicating the musical experience in the Royal Opera House.

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Graham Audio LS5/5f Loudspeaker

“When we first received the Graham LS5/5 in 2019, we were ecstatic by it’s sonic performance and are now thrilled by the LS5/5f’s beautiful clean, mid-century modern aesthetics as Graham delivers state-of-the-art, sonic performance.  There are many resolute loudspeakers in today’s market but few equal Derek Hughes’ redesigned LS5/5 for its ability to deliver the emotion & passion in the music. It’s a conduit for midrange magic, capable of uplifting the listener with joy or dropping him to his knees with tears of sadness. Such is the power of music, the sound of God whispering in your ear.”  – Philip O’Hanlon, On A Higher Note The LS5/5f has the same driver complement & cabinet as the LS5/5, but as a modified (in the bass region) crossover and an additional 16” enclosure underneath. The second cabinet underneath the drivers & crossover cabinet is an acoustic chamber that allows the bass driver to breathe.  This ported enclosure provides increased bass extension and dynamic capability. Though the floor standing version has a similar midrange to its stand-mount sibling, it enjoys 7dB more bass, as measured at 20Hz. Originally designed in 1967, the BBC was very proud of the LS5/5 design and it was considered by many at the BBC to be their best speaker they ever designed which they use for monitoring their recordings of classical music. Fast forward to 2019 and with the use of higher quality magnets, drivers, glue, crossover components; the revised LS5/5 now has 10dB greater power handling/output. This is eight times louder than the original. As you can see from the White Paper (click here), the original LS5/5 was powered by an onboard 25 WPC amplifier. The 2019 Graham revised LS5/5 as a passive design. However, when the Rock n Roll era came about the engineers found that the LS5/5 would not play loud enough, so they came out with the LS5/8.  Our source revealed that the BBC have used these speakers for decades for microphone calibration to ensure that the microphones meet the BBC’s technical specifications.  When you consider that the BBC has access to pretty much anything in today’s market, this is a huge praise for the original LS5/5 design.    

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Graham Audio LS5/5 Loudspeaker

When we first received the Graham revised LS5/5, we were coming off of our audition of the Graham LS5/8 which we thought was superb.  There are many resolute loudspeakers in today’s market but few equal the redesigned LS5/5 for its ability to deliver the emoticon & passion in the music.  Its a conduit for midrange magic, capable of uplifting the listener with joy or dropping him to his knees with tears of sadness.  Such is the power of music … the sound of God whispering in your ear. – Philip O’Hanlon, On A Higher Note Originally designed in 1967, the BBC was very proud of the LS5/5 design and it was considered by many at the BBC to be their best speaker they ever designed which they use for monitoring their recordings of classical music. However, when the Rock n Roll era came about the engineers found that the LS5/5 would not play loud enough, so they came out with the LS5/8. Our source revealed that the BBC have used these speakers for decades for microphone calibration to ensure that the microphones meet the BBC’s technical specifications.  When you consider that the BBC has access to pretty much anything in today’s market, this is a huge praise for the original LS5/5 design. Fast forward to 2019 and with the use of higher quality magnets, drivers, glue, crossover components; the revised LS5/5 now has 10dB greater power handling/output. This is eight times louder than the original. As you can see from the White Paper (click here), the original LS5/5 was powered by an onboard 25 WPC amplifier. The 2019 Graham revised LS5/5 is a passive design.  

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LS8/1, Derek Hughes Signature Series, Ed: 100 (Premium Teak Finish with Stands)

Designed by Derek Hughes, the LS8/1 incorporates the same innovations behind the improvements that the current LS5/5 model has over its predecessor.  Judicious application of better modern materials in magnets, metallurgy, driver materials and glue, for example, yielded these new and improved speakers with better bass extension.  With an additional 3dB increase in sensitivity together with greater power handling, the LS8/1 is capable of nearly 10dB greater sound pressure level, boasting a recreation of the gestalt of live music unmatched by others.

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