NY Audio Show

By Art Dudley • Posted: Apr 16, 2012

Doors to Perfection

Some of the nicest analog playback I heard at the show came courtesy of GTT Audio, in whose suite the reliably well-dressed Philip O’Hanlon spun vinyl on a Brinkmann Balance turntable ($24,000, closest to camera) with Brinkmann 12.1 tonearm ($7500) and an Air Tight PC1 Supreme cartridge ($15,000). Of special delight were selections from Ray LaMontagne’s God Willin’ & the Creek Don’t Rise and advance pressings from the forthcoming LP reissue series, by Analogue Productions, of the Doors catalog. The rest of the system featured YG’s Anat III Professional Signature speakers ($119,000/pair) driven by Soulution 501 monoblocks ($55,000/pair), a Soulution 750 phono stage ($25,000), Soulution 720 preamp ($45,000), all wired with Kubala-Sosna Elation cables.


By John Atkinson • Posted: Apr 16, 2012

The Mighty YG Anat III Professional Signature speakers

The YG Anat III Professional Signature speakers ($119,000/pair) in the GTT room had an attractive titanium finish. I thought a 45 rpm test pressing of the Doors’ “Riders on the Storm” sounding astonishing, especially John Densmore’s drums, which, although recorded in mono in the right channel, had a combination of weight, realistic highs, and authority that I hadn’t heard before from this over-familiar track.


by Philip O'Hanlon

Music Evangelist and Master of Musical Enjoyment—Philip spends his time looking for fine music, tuning up synergistic electronic components to get the best sound, and making music compilations so he can share his listening journey and experiences with friends and acquaintances.

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